Tuesday 1 October 2024

Extreme Sicily can challenge and delight: here’s an itinerary to balance the wonder with R&R

Someone once explained to me that Italy gets more extreme the further south you go. If, by Rome, your nerves are a bit on edge from the noise, the traffic and the queue cutting, if the contrast between opulence and grime is grating, if you’re feeling over-stuffed by food and wine … it might be time to stop. If, however, life is just seeming brighter, the sights more magnificent and the dinners ever better, press on. On until, as far south as you can go before you hit Africa, you reach Sicily.

Sicily feels like everything Italian … the good and the bad … distilled to its most powerful essence.

It is incredibly ancient compared to the rest of Italy: the Phoenicians, Carthaginians and Greeks all lived here. Want to see some of the best Greek ruins in the world? Forget the Acropolis, come here. Every building in Sicily is built on the bones of past ages, and most of them seem to be crumbling. Even the new ones.

Other than for a few hundred years of glory in the early Middle Ages, the island has been a colony rather than its own boss. The nationalities of the absentee landlords might have changed, but in turns they abused, ignored and siphoned off resources. (Very occasionally, as with whoever built the Villa Romana del Casale, they fell in love with the place and ploughed their own resources into improving it. But this was the exception.) Many Sicilians, including m ancestors, argued that Italian unification was simply another foreign invasion; now the abuse came from Savoy, then Rome, rather than Madrid. Colonial overlords … and the mafia brutes that took advantage of their distance … drove Sicily to such a state that when emigration became a viable possibility for the average person, vast numbers of its people went elsewhere. A vast, empty countryside scattered with abandoned houses is a vision of modern Sicily.

Extremes, age and colonial exploitation have created a place that’s both Italian and distinctly alien. Many places in Sicily remind me more of Tunisia or South Africa than Tuscany or the Veneto. Tourism in Sicily can be challenging. While gleaming new motorways are a testimony to EU improvement projects, local roads can be an adventure. Visual clues that usually tell you “turn around, you’re in a dangerous neighbourhood” don’t work the same way here; a dark alley full of graffiti and rubbish can host upscale jewellery shops or magnificent Baroque oratories. UNESCO heritage town centres are surrounded by hideous, often collapsing post-war housing. Cultural attractions can be light on English explanations; my basic Italian gets used here far more than in the north. And yet, if you love culture, history and food … the foundations of this blog … Sicily delivers rewards out of all proportion to the effort you put in. There is no place else in Europe quite like it.

I decided on two weeks here to celebrate my 60th birthday and our 13th wedding anniversary. (Marrying on your birthday is an excellent way to ensure neither of you ever forget your anniversary.) I wanted something indulgent and celebratory. Something that offered loads of top quality sightseeing with proper R&R and tremendous food. Opera at Palermo’s Teatro Massimo and cooking class with a Duchess in her palazzo was the icing on the cake.

Our itinerary went like this:

Days 1 - 5: Almar Giardino di Costanza, near Mazara del Vallo
The idea was to start the holiday with some restorative pamper time. We flew into Palermo and picked up a car at the airport. Unfortunately, our 90-minute queue at Avis/Budget/Maggiore took only a little less time than our whole drive south. The delay was so extreme we had to modify our plans to visit the Greek ruins at Segesta and content ourselves with a drive by. Which, to be honest, is still quite impressive and offers great photo opportunities without paying for admission.

The hotel is one of those Sicilian contrasts: a lush and luxurious walled complex surrounded by the dry, dusty, ruin- and rubbish-filled agricultural outskirts of Mazara. The few miles between motorway and hotel will make you wonder what you’ve gotten yourself into; once you’re through the gates you’re in another world. An old agricultural estate has been repurposed as luxury hotel and spa. The building is a big white and yellow “U” surrounding gardens, pools and fountains. We upgraded to a pool/garden view, which gave us an enormous balcony with table, chairs and sun loungers. The bedroom featured towering ceilings, an enormous television, arm chairs for watching, and a cheerful bouquet springing from a traditional Sicilian head vase to wish me happy birthday and anniversary. (A cake with burning candle also showed up on the actual day.) The basement … part of it opening onto the lowest level of the garden … features an upscale restaurant and a high-end spa. There’s an indoor swimming pool, hot and cold bathing tubs, saunas, steam rooms, and relaxation rooms all designed in a modern take on Arab-Norman architecture.

In short, it’s the kind of place you don’t really have any need or desire to leave. Even the private beach, accessible by hotel shuttle for morning or afternoon stints, didn’t seem worth the effort. Lots of things on my local possibilities list fell to the competition of napping to spa music and lounging in hot water, namely Trapani and Erice. But a few sightseeing excursions did demand the effort: the Greek ruins at Selinunte, the Greek statue of “the dancing Satyr” in Mazara del Vallo, a look at the salt flats above Marsala and a tasting of that town’s eponymous wine at Florio.

Days 5 - 6: Villa Trigona, Piazza Armerina
The next major stop in the itinerary was the Val di Noto, which would have been a straight 4-hour drive along the southwest coast of Sicily had we gone direct. But a date with a bucket list item demanded a detour. About 40 years ago Professor Jim Packer beguiled me with his Art and Architecture of Ancient Rome class at Northwestern, and his descriptions of the Villa Romana del Casale in the Sicilian Countryside have haunted me ever since. It was worth the detour. (More to come on that in a future article.)

We spent the night at another old agricultural estate turned to tourism. The Villa Trigona isn’t as big or as high-end as the Almar, but it was correspondingly less expensive. The family still owns and runs the place and has done a major renovation in the past few years, so venerable architectural details sit comfortably with fresh plaster and sheet glass walls of modern extensions. Our room, however, was 19th century in all but its electrification: old school wooden furniture, beautiful bed linens, decorative floor tiles, whispy curtains screening french doors to Juliet balconies that looked out over the surrounding woodlands and mountains and down into the front courtyard of the estate house. Another set of French doors led out to our own roof terrace. It was almost a shame to only be here just one night. The family offers dinner in that modern extension. It was hearty and delicious if not memorable, but we were grateful to be able to eat in. Villa Trigona is off winding, mountainous roads 10 minutes from Piazza Armerina that I wouldn’t have enjoyed navigating after dark, and there’s nothing in walking distance. 
Days 6 - 11: Melifra, Ispica
Next came five full days enjoying the Val di Noto, proclaimed a UNESCO world heritage site because of its baroque architecture. All the guidebooks will tell you about the 1693 earthquake that flattened southeastern Sicily, and how the towns in the area rebuilt in a florid Baroque style that makes them gems of the architectural world. What they probably won’t mention is that these exquisite town centres are ringed by large and unattractive sprawls of modern development, that the Val is thick with modern industry and commercial agriculture, and that it’s a harsh landscape of pockmarked limestone peaks and scrubby brush with lots of winding roads between points A and B. This is not the charming hill towns of Tuscany.

The towns, however, are worth the effort. Noto is the most famous and therefore the most crowded; I enjoyed Scicli and Ragusa Ibla (top photo) much more. The Baroque heart of Modica was much bigger than anticipated, and the large crowds socialising on the streets at 11 pm on a Saturday testified to the fact this is a modern, living town, not just a tourist destination. We were there not for the late-night passeggiata but for dinner at a Michelin-starred restaurant, Accursio, that was one of the highlights of the trip. If you get sick of Baroque towns, there are beaches and a nature reserve where migrating birds … notably flamingoes … pause during their spring and autumn migrations. There will be more all of that in articles to come. 

We stayed in an AirB&B rental called Melifra that was absolutely ideal. It’s on the edge of a modern development on the outskirts of Ispica (this one, unusually, rather attractive … though still cursed with the Sicilian plague of unfinished or unkempt properties, like rotting teeth in the middle of an otherwise gleaming smile). While not usually listed amongst the highlights of the Val di Noto, Ispica has the same baroque heart as its neighbours with a handful of standout buildings. For us, however, its greatest advantages were that it sat in the middle of everything we wanted to see, and the views to the sea are quite spectacular. Even more so when you’re sitting in the hot tub in the roof garden at Melifra, glass of cold local wine in your hand while watching the sunset.

Melifra occupies the top floor of a three-story townhouse at the end of a block; access is up a dramatic winding staircase with a glass roof above. There are two bedrooms, each en suite, and a combined sitting room/kitchen dining area, but the crown jewel is undoubtably that roof garden. In addition to the hot tub there’s a shower, two loungers, a sofa, coffee table and chairs, and a large TV pre-programmed with all the streaming services (you will need your own password to sign in). Someone with highly-attuned interior design sensibilities has been at work here; colour schemes, decorative items, rugs and art have all been selected to complement a single colour scheme.

It was as tasteful as a luxury hotel, but all ours. Hosts Gianfranco and Barbara were fantastic, establishing a WhatsApp group for us for the duration of our stay, flooding us with useful information and responding quickly when we needed information.

I quickly got into the habit of sightseeing during the day, nice lunch out, then back to Melifra for a soak in the hot tub. We’d spend the evenings in the outdoor seating area, nibbling a light dinner, drinking local wine and working our way through “The Rings of Power”. The dramatic landscape here seemed to fit a foray into Middle Earth.

There were only two flies in the Melifra ointment. If you are very tall, this apartment built under the eves may present a hazard. It’s beautifully designed, with skylights with automatic blinds in the roof that can flood the space with sunlight, but my husband whacked his head multiple times before he got used to stooping at the sides of rooms. You’re also about 3/4 of a mile from the town centre so it’s not really easy walking distance for going out. We only went out for dinner once and were preferred the extreme quiet, but this might be an issue for others.

Days 11- 15: L’Olivella B&B, Palermo
Palermo can be hard work: it’s magnificent and exciting, but also noisy and dirty. If Sicily is like the concentrated essence of Italy, Palermo is the further distillation of Sicily. I thought I’d put it at the end of our agenda for when we were well-rested and had grown accustomed to the pace of the island. I also opted for the humblest of our accommodations here, figuring we’d had our luxury and would spend less time “at home” in the city.

L’Olivella is closer to what used to be called a “pensione”: you take one of a suite of rooms let out in your landlady’s house, there’s a modest sitting room, all the guests sharing a table at breakfast and then you’re unlikely to get a glimpse of your host or the other guests until the next morning. The whole place has towering ceilings with a few retaining some lovely frescoes that look to be from the 1930s. The floors are tiled with a beautiful array of Liberty Style (the Italian take on Art Nouveau) patterns. Our bedroom, Lingotto, was generously sized with French doors letting in light from two sides of the building: one side with a tiny balcony just big enough for two chairs and a narrow table. The location is superb. From our balcony we looked into the windows of the archaeological museum. The opera house loomed above the end of the street, between us and its front door were 200 metres of restaurants and artisan shops. A 10 minute stroll took us to Quattro Canti, the sightseeing heart of town.

We had two prime objectives in Palermo: Turandot at the opera and a very special cooking class in a palace in the Kalsa district. We’d already seen the Palatine Chapel and the cathedral and Monreale on a previous trip, so we were free with the rest of our time to explore some of the “Tier Two” sites. I spent a lot of time drinking in outrageous Baroque religious interiors, notably the oratories of Serpotta and the Jesuit church known as the Casa Professoressa. Honouring that rare and wonderful period in Sicilian history when it was the intellectual and artistic heart of Europe, I revelled in the mosaics in La Martorana and the Arab-Norman lines of San Cataldo. Yes, it was very church heavy!

We also spent a very happy morning poking around the Archaeological Museum, which is mostly distinguished by having the best bits of Selinunte under cover. In many ways it’s a shame that this stuff isn’t on site there, as the displays here explain the ruins far better than anything in Selinunte, and the treasures they’ve preserved really bring the place to life. This museum experience towards the end of our trip made our explorations at the beginning even more meaningful.

I could have done so much more. There was a museum of Sicilian tiles on my list, and a day trip to Cefalù. I was disappointed to discover that the traditional puppet shows only happen on weekends, and we were only in town for weekdays. The weather was exquisite and we could have headed to Mondello beach. But it was the end of the trip and we were mindful that we wanted to head home relaxed and refreshed. So multiple-hour, multiple-course lunches with multiple bottles of wine featured more prominently than high-impact sightseeing. About all that food, of course, there are articles ahead.

In coming weeks I’ll cover key sites, food and experiences. This gives you context and big picture for a two-week Italian itinerary I’d happily recommend, and do again.

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